Conference programme
Posted on 07. Juni, 2024 by Oliver Wurl in Allgemein
MONDAY SESSIONS
Session 1: Gramophone Company (11:00 – 12:30) Chair: Inja Stanović
1) Ferenc János Szabó: The 1928 HMV Gramophone Record Series of Hungarian Music
2) Will Prentice: We cannot feed the whole of Russia with Chaliapine: The Gramophone Company in Pre-Revolutionary Caucasia & Central Asia
3) Simon Heighes: Hallelujah! The Pioneering G&T Messiah of 1906
Session 2: Discographies (14:00 – 15:30) Chair: Will Prentice
1) Nikos Ordoulidis: Shared tunes and musical networks in historical discography
2) Christian Liebl: Round the Horn (of the Phonograph): The Vienna Phonogrammarchiv and its Historical Recordings
3) Hermann Gottschewski: The discovery of different versions of the same recordings on Welte-Mignon piano rolls: Implications for discography and cataloguing
Session 3: Instrumental recordings (16:00 – 17:30) Chair: Ferenc János Szabó
1) Lourdes Rebollo: The recordings of Granados’ Spanish Dance No. 7 “Valenciana” made by teachers and pupils: Granados (1912) Marshall (1925) and Larrocha (1954)
2) Inja Stanović: Austro-German Revivals: (Re)constructing acoustic recordings
3) Aleksander Kolkowski: Stroh violins and horn amplified strings
TUESDAY SESSIONS
Session 1: Online presentations (9:30 – 11:00) Chair: Eva Moreda Rodríguez
1) Sunny Mathew: Gul Mohamed, the first popular performer on Gramophone records in Malayalam language
2) Trayce Arssow: Paul Voigt’s British Electrical Recordings for Edison Bell, 1925-1933
3) Tiago Hora: Portuguese early music discography: context, challenges and paths dealing with discography as a primary source for historical musicology research
Session 2: Case studies (11:30 – 13:00) Chair: João Silva
1) Peter Adamson: Windows and Wallpaper: exploring London’s first Gramophone recording studio
2) Filip Šír and Martin Mejzr: Anti-Nazi Theatre on Radio Waves: Unique WWII Broadcasts by V+W preserved on Acetate Discs
3) Tore Simonsen: The spreadsheet as a discographic database: a pragmatic solution
Session 3: Research projects (14:00 – 15:30) Chair: Inja Stanović
1) George Kokkonis, Nikos Ordoulidis, Kostas Maistrelis, Pantelis Brattis, Simos Leonidakos, Nikos Papazis: Semantic modelling and technological innovation in folk-popular musicology, the case of the discography of the Greek rebetiko songwriter Vassilis Tsitsanis and the reconstitution of the „musical world“ of his time
2) Axel Berndt, Andreas Münzmay, Frithjof Vollmer: Multi-Modal Data Networks: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology (in Collaboration with GHT)
3) Jelka Vukobratović: The 78 rpm Record Industry in Croatia: Project results
Session 4: African recordings (16:00 – 17:30) Chair: Christiane Hofer
1) Joao Silva: Musics of the African Diaspora in Portugal: The sonification of race through discs (1900—1933)
2) Wolfgang Bender: African Music of Shellac Discs 2
3) Tadele Yidnekatchew: The second set of Ethiopian disks (Fonotecnica Milano, 1924) by Azmari Wubate of Crown Prince Tefferi Mekonnen
